Read e-book online Configurations of the Real in Chinese Literary and Aesthetic PDF

By Peter Button

ISBN-10: 9004170952

ISBN-13: 9789004170957

The emergence of the chinese language socialist realist novel can top be understood in mild of the half-century lengthy formation of the trendy inspiration of literature in China. Globalized within the wake of contemporary capitalism, literary modernity configures the literary textual content in a courting to either glossy philosophy and literary thought. This ebook lines China's specified, advanced, and artistic articulation of literary modernity starting with Lu Xun's "The actual tale of Ah Q". Cai Yi's aesthetic conception of the sort (dianxing) and the picture (xingxiang) is then explored when it comes to worldwide currents in literary concept and philosophy, making attainable a basic rethinking of chinese language socialist realist novels like Yang Mo's "Song of sweet sixteen" and Luo Guangbin and Yan Yiyan's "Red Crag".

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Additional info for Configurations of the Real in Chinese Literary and Aesthetic Modernity (Ideas, History, and Modern China)

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34 introduction much broader currents of a literary modernity heavily invested in a philosophical/theological conception of being. There are, for example, several versions of the concern for the lack of a belief in China in the doctrine of Original Sin. As Eric Jozef Ziolkowski shows in his discussion of Anthony Yu, there is a more contemporary Protestant version of this notion. Discussing one of Yu’s earlier essays, Ziolkowski notes the role of the “tragic” in Yu’s article on Confucianism. ”62 This version of China’s absent conception of “original sin” is noteworthy not only for its contemporary Protestant provenance.

People who took the new positions [in the 1980s and 1990s] found themselves not in area studies centers but in language and literature departments, where disciplinary approaches were dominant. At the same time, in American academe as a whole, area studies were generally declining as all the disciplines, including those of the social sciences, were ascendant. 36 While Link does not say precisely what those approaches might have been, it is important to keep in mind that almost nowhere in North American literature departments from the post-war period through to the present were literary texts treated as sources of simple historical knowledge.

36 While Link does not say precisely what those approaches might have been, it is important to keep in mind that almost nowhere in North American literature departments from the post-war period through to the present were literary texts treated as sources of simple historical knowledge. Indeed, from the Russian formalist criticism of the 1920s, to the rise and institutionalization of New Criticism from the 1930s, through to the early 1970s when “continental” phenomenological and hermeneutics approaches began slowly to take hold, to finally the emergence of what are generally termed poststructuralist, feminist, psychoanalytic, and post-Marxist criticism, in the late 1970s and 1980s, literary texts were rarely treated as simple sources of historical knowledge.

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Configurations of the Real in Chinese Literary and Aesthetic Modernity (Ideas, History, and Modern China) by Peter Button


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