By Richard Koszarski
The silent cinema used to be America's first smooth leisure undefined, a fancy social, cultural, and technological phenomenon that swept the rustic within the early years of the 20th century. Richard Koszarski examines the underlying buildings that made the silent-movie period paintings, from the operations of jap bankers to the issues of local theater musicians. He deals a brand new point of view at the improvement of this significant new and artwork shape and the public's reaction to it.
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Additional info for An Evening's Entertainment: The Age of the Silent Feature Picture, 1915-1928 (History of the American Cinema, Volume 3)
Edgar is reluctant to "imbrue [his] hands in the blood" of this Indian (170), but he is "assailed by the torments of thirst" (161); and so, overcoming his "aversion to bloodshed" (169), he buries a hatchet in the Indian's breast. , assimilates the spirit of the wilderness into his The Realization of the Shadow 45 conscious personality-and as a result, experiences a profound sense of renewal. For as soon as the Indian falls, Huntly rushes to the stream and plunges in-an archetypal symbol of rebirth.
Thus Ged, the apprentice wizard of Le Guin's novel, is rent in two, not by a malfunctioning machine, but by a bit of adolescent bravado: a dangerous "spell of Summoning" he weaves before having achieved full mastery over the magical arts. Challenged by a hated rival to prove his skill, Ged arrogantly announces that he can perform the perilous deed of calling forth the dead, but when he tries to conjure up the spirit of the legendary lady Elfarrin, he accidentally unleashes a terrible power: a "foul cruel thing,"13 an embodiment of pure evil, that pursues the young hero across the world in an attempt to enter and possess him-"to take his strength into itself, and suck up his life, and clothe itself in his flesh" (183).
4). As the two men battle fiercely, Shang-chi-though he is a master of the martial arts-finds himself on the defensive, fleeing from the ferocious M'nai. Cornered by his dark brother, the hero appears to be on the brink of destruction, when he has a sudden, saving insight: ... a new understanding of myself opens before me! I accepted the inevitability of the battle-accepted the battle itself-but I never truly accepted the death at the battle's end! I said I did-thought I did-but the concept of actually killing M'nai remained only a concept, not a possibility!
An Evening's Entertainment: The Age of the Silent Feature Picture, 1915-1928 (History of the American Cinema, Volume 3) by Richard Koszarski